Sumi Jo recital reviewed

Murray Black reviews Sumi Jo’s recital for The Australian:
http://www.theaustralian.com.au/arts/music/deja-vu-of-the-best-kind/story-fn9d2mxu-1226519854341

Murray Black reviews Sumi Jo’s recital for The Australian:
http://www.theaustralian.com.au/arts/music/deja-vu-of-the-best-kind/story-fn9d2mxu-1226519854341
Omega Ensemble The Nutcracker – Virtuoso Series City Recital Hall 16 November 2015 Celia Craig (oboe), Georgina Roberts (oboe / cor anglais), David Rowden (Artistic Director and clarinet), John Lewis (clarinet / bass clarinet), Ben Hoadley (bassoon), Simone Walters (bassoon), Michael Dixon (horn), Jenny Mcleod-Sneyd (horn), Lisa Osmialowski (flute), Paul Stender (cello), Alex Henery (double…
SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by Robert Forgács. Click here to read.
Reviews of two recent Sydney concerts: http://www.smh.com.au/entertainment/music/a-centenary-tribute-to-glanvillehicks-20120520-1yyp7.html http://www.smh.com.au/entertainment/music/gershwin-with-some-fancy-footwork-20120520-1yypl.html
On his new recording Pictures at an Exhibition for ABC Classics, pianist Simon Tedeschi combines two works from the Russian piano repertoire which share their status as masterworks, but which are at opposite ends of the spectrum of complexity. First on the CD is Mussorgsky’s suite of 10 pieces, from which the recording takes its…
Pavarotti The 50 Greatest Tracks is a new release from Decca commemorating two half century anniversaries. The first is his international debut in 1963 as Edgardo in Lucia di Lammermoor in Amsterdam, followed later that year by his Covent Garden debut as Rodolfo in La Boheme, replacing the indisposed Giuseppe di Stefano – the serendipitous call to…
Composers in Exile Nexas Saxophone Quartet The Independent Theatre, North Sydney May 28, 2017 Nexas Saxophone Quartet: Soprano – Michael Duke/ Alto – Andrew Smith/ Tenor- Nathan Henshaw/ Baritone -Jay Byrnes / Voice and piano- Peter Coleman-Wright AO (Baritone) Written by Victoria Watson A bold and intelligent theatricality pervaded this concert of cabaret music from the Weimar period and its aftermath….