…and another review
Murray Black reviews the same performance (SSO/Mahler 2) for The Australian:
Similar Posts
Concert Review: Alleluja – An Easter Celebration/ Bach Akademie Australia
The Bach Akademie Australia’s performances are gleaming gems in Sydney’s musical calendar.
CD Review: Light’s Glittering Morn, The Choir of Christ Church St Laurence
Commemorating the season of Lent, The Choir of Christ Church St Laurence in Sydney has released an anthology of seasonal music from Lent to Easter, titled Light’s Glittering Morn. Directed by Dr Neil McEwen AM, with organist Peter Jewkes, the 34 strong choir sings 14 works from Gregorian chant to the 20th century which…
Concert Review: Piano And Flute Recital/ Tedeschi And Walker
Simon Tedeschi proved himself to be as skilful an ensemble player as he is a soloist and Sally Walker is, I believe, Australia’s best flautist.
CD Review: Amy Dickson ‘Dusk & Dawn’
Dusk & Dawn Amy Dickson, Sony Classics 88725479572 Sydney born saxophonist Amy Dickson’s latest CD release Dusk & Dawn won for her the title of Breakthrough Artist of the Year at the 2013 Classical Brit Awards. This was the first Classical Brit Award for an Australian as well for the saxophone. Dusk & Dawn contains 12 familiar tracks arranged for saxophone and…
Concert Review: Six Times Three/ Sydney Chamber Choir
Six Times Three Sydney Chamber Choir Great Hall Sydney University September 6, 2015 In its final concert for 2015, celebrating its 40th year, the Sydney Chamber Choir welcomed its newly appointed Music Director Richard Gill OAM, as conductor, in a (mostly) a capella, numerologically themed program of music by six Antipodean composers – three men…
Opera Review: Tosca/ Opera Australia
It was a night of powerful singing and strong dramatic performances when John Bell’s production of Puccini’s Tosca for Opera Australia under revival director Roger Press, opened its third Sydney season last week. Spanish soprano Ainhoa Arteta was a compelling Tosca and Romanian tenor Teodor Ilincăi, a fine Cavaradossi. However, it was Lucio Gallo who…
