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Concert Review: The Queen Of Heaven/The Sixteen
It’s a curious fact that the most revered exponents of early Italian choral music today, are not the Italians but the English. In January 2011, Gramophone Magazine published a list of what it claimed were the top 20 choirs in the world. Nominated in fourth place was Harry Christophers’ ensemble The Sixteen, who performed their…
Vienna Boys Choir ‘Jubilate Deo’ – classics amidst innovation and the traditional
The Vienna Boys Choir CD Jubilate Deo was released by ABC Classics (476 5094) earlier this year to coincide with the choir’s tour to Australia. This would explain the Antipodean content amongst the 17 tracks on the hour long collection of old and new choral classics, many of which sound best when peformed by the lucent voices of…
Opera Review: The Marriage Of Figaro/ Opera Australia
Le nozze di Figaro (The Marriage of Figaro) Opera Australia Joan Sutherland Theatre, Sydney opera House 18 October 2019 Written by Deen Hamaker Based on Pierre Beaumarchais’ 1778 play La Folle Journée, ou Le Mariage de Figaro (The Mad Day, or The Marriage of Figaro), Wolfgang Amadeus Mozart’s opera is among the most popular of…
Concert Review: Celebrating Strauss/ Sydney Youth Orchestra
Celebrating Strauss: Richard Gill, a celebration of life Sydney Youth Orchestra Verbrugghen Hall, Sydney Conservatorium of Music 8 December 2018 Written by Deen Hamaker Australia lost one of its foremost champions of music education in Richard Gill AO in October 2018, who for over 40 years was at the forefront of music education in this…
Concert Review: Music In The Stillness 1/ Josie And The Emeralds
Music in the stillness Concert 1/ Josie and The Emeralds The Art Gallery of New South Wales Foyer Wednesday April 11, 7:30 pm Written by Ria Andriani Music in the Stillness is a concert series presented by Josie and the Emeralds. It combines music from the medieval period and new Australian compositions inspired by The…
CD Review: Brahms Ein Deutsches Requiem, The Choir of St James’ King Street
In recording this live performance of Brahms’ Ein Deutsches Requiem(A German Requiem) opus 45 in July 2013, the Choir of St James’ King Street directed by Warren Trevelyan-Jones ventures into repertoire we would not often hear from this fine ensemble, whose focus leans towards music from both earlier and more recent times. For many…
