Can classical music be cool?
An excellent piece in The Economist Can classical music be cool? on building new, younger audiences for classical music.
An excellent piece in The Economist Can classical music be cool? on building new, younger audiences for classical music.
Steve Reich is in Sydney! He talks to Matthew Westwood from The Australian: http://www.theaustralian.com.au/arts/steve-reichs-sounds-dont-scratch-the-surface/story-e6frg8n6-1226337506454
Short+Sweet Voices is an exciting new festival that will showcase a cappella music for groups and choirs, debuting early in 2015 in the Concert Hall at The Concourse Theatre, Chatswood. It promises to stretch the boundaries of choral performance, rewarding innovation, excellence and creativity with prizes and awards for both individuals and groups in singing, vocal arrangement and presentation. …
In a project reminiscent of Daniel Barenboim’s efforths at political and social reconciliation through music, composer Paul Stanhope has created “Exile Lamentations” , a work for chamber choir, soloists and oud, which was performed in Sydney by the Sydney Chamber Choir recently. This week Stanhope was awarded two APRA awards for composing both this (“Deserts of…
Conductor Dr Nicholas Milton this year celebrates 10 years at the helm of the Willoughby Symphony Orchestra. He recently returned to Sydney after a stint in Europe. He talks, in his own words about his experiences in Europe. First, SoundsLikeSydney asked him what changes he had observed in the WSo over the past yen years. “I am…
The Australian Opera and Ballet Orchestra has a new concertmaster. Laura Hamilton has taken up the position in Australia after working as Principal Associate Concertmaster at the Metropolitan Opera since 1999. Whilst there she led many of the popular “Live in HD” videocasts, including Carmen, Parsifal, Turandot, Faust, Salome, and Madama Butterfly. Laura is graduate of…
‘I believe sincerely that I can help my fellow human beings best by continuing the work I am most qualified to do by the nature of my gifts and training, ie the creation or propagation of music.’ Benjamin Britten 22/11/1913 – 4/12/1976