Concert Review: Songs of Solitude And Solace

SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.

SoundsLikeSydney couldn’t get along to this concert but we have the link to the review by
Robert Forgács.
‘Collusion’ The Marais Project: Jenny Eriksson with Susie Bishop, Emily-Rose Šárkova and Eliska Sarka Recital Hall West, Sydney Conservatorium 24 August 2014. 2014 marks the fifteenth anniversary of the Marais Project and their director Jennifer Eriksson has adopted a theme of Re-imaginings which she explains is ‘taking the opportunity to re-imagine my instrument, the viola da…
Last weekend I had the exceptional pleasure of strolling through the Art Gallery of New South Wales, viewing its spring/summer exhibition of over 70 paintings – The Greats: masterpieces from the National Galleries of Scotland. The collection spans more than four centuries of art with works from the Renaissance (Botticelli’s The Virgin adoring the sleeping…
Bach’s Concertos/ Bach Akademie Australia Paddington Uniting Church 4 October 2019 It was a deeply satisfying confluence of music and musicians when the Bach Akademie Australia presented their programme Bach’s Concertos. Founder and artistic director Madeleine Easton led her band adeptly through music which illustrated the expansive genius of JS Bach’s concerto writing in many…
The recording, Kingfisher – Songs for Halcyon is now available on the Tall Poppies label. Below is our review of a concert performance of some of the songs from the recording from April 2014 Celebrating a decade and a half of innovative music making and professional collaboration in 2014, Halcyon presented an evening of song Kingfisher …
Music critic for the SMH, Peter McCallum reviews the recent Sydney performance by the King’s singers: http://www.smh.com.au/entertainment/music/welltailored-sound-and-gentle-parody-make-a-right-royal-treat-20120220-1tjgp.html
The sounds of the music and chanting ebbed away; the shadows on the stage faded. There was no applause, no cheering, no curtain calls. The audience rose and silently filed out of the City Recital Hall. This silence was no expression of displeasure; rather it was an acknowledgement that the concluding item on the Australian…